|
1987 |
Best Motion Picture |
Defense of the Realm |
Martin Stellman |
Hemdale Releasing |
|
|
1987 |
Best Motion Picture |
F/X |
Gregory Fleeman, Robert T. Megginson |
Orion |
|
|
1987 |
Best Motion Picture |
Manhunter |
Michael Mann |
De Laurentiis Ent. |
|
|
1987 |
Best Motion Picture |
The Great Mouse Detective |
Ron Clements, Vance Gerry, Steve Hulett, Burny Mattison, Dave Michener, Bruce M. Morris, John Musker, Matthew O'Callaghan, Melvin Shaw, Pete Young |
Disney |
|
|
1987 |
Best Motion Picture |
The Name of the Rose |
Andrew Birkin, Gerard Brach, Howard Franklin, Alain Godard |
Twentieth Century Fox |
|
|
1986
|
Best Motion Picture
|
Witness
|
William Kelley, Earl W. Wallace
|
Paramount
|
|
|
1986 |
Best Motion Picture |
Blood Simple |
Joel Coen, Ethan Coen |
Circle Films |
|
|
1986 |
Best Motion Picture |
Fletch |
Andrew Bergman |
Universal |
|
|
1986 |
Best Motion Picture |
Jagged Edge |
Joe Eszterhas |
Columbia |
|
|
1986 |
Best Motion Picture |
The Hit |
Peter Prince |
Island Pictures |
|
|
1985
|
Best Motion Picture
|
A Soldier's Story
|
Charles Fuller
|
Columbia
|
|
|
1985 |
Best Motion Picture |
Beverly Hills Cop |
Daniel Petrie Jr. |
Paramount |
|
|
1985 |
Best Motion Picture |
The Little Drummer Girl |
Loring Mandel |
Warner Bros. |
|
|
1984
|
Best Motion Picture
|
Gorky Park
|
Dennis Potter
|
Orion
|
|
|
1984 |
Best Motion Picture |
Hammett |
Dennis O'Flaherty, Ross Thomas |
Warner Bros. |
|
|
1984 |
Best Motion Picture |
Psycho II |
Tom Holland |
Universal |
|
|
1983
|
Best Motion Picture
|
The Long Good Friday
|
Barrie Keeffe
|
Handmade Films
|
|
|
1983 |
Best Motion Picture |
48 Hours |
Steven E. de Souza, Larry Gross, Walter Hill, Roger Spottiswoode |
Paramount |
|
|
1983 |
Best Motion Picture |
Evil Under the Sun |
Anthony Shaffer |
Universal |
|
|
1983 |
Best Motion Picture |
Still of the Night |
Robert Benton |
MGM/United Artists |
|
|
1982
|
Best Motion Picture
|
Cutter's Way
|
Jeffrey Alan Fiskin
|
United Artists
|
|
|
1982 |
Best Motion Picture |
Body Heat |
Lawrence Kasdan |
Warner Bros. |
|
|
1982 |
Best Motion Picture |
Prince of the City |
Jay Presson Allen, Sidney Lumet |
Warner Bros. |
|
|
1982 |
Best Motion Picture |
The Eye of the Needle |
Stanley Mann |
United Artists |
|
|
1981
|
Best Motion Picture
|
The Black Marble
|
Joseph Wambaugh
|
AVCO-Embassy
|
|
|
1981 |
Best Motion Picture |
Hopscotch |
Bryan Forbes, Brian Garfield |
AVCO-Embassy |
|
|
1981 |
Best Motion Picture |
The First Deadly Sin |
Mann Rubin |
Filmways Productions |
|
|
1981 |
Best Motion Picture |
The Man with Bogart's Face |
Andrew Fenady |
Twentieth Century Fox |
|
|
1980
|
Best Motion Picture
|
The Great Train Robbery
|
Michael Crichton
|
United Artists
|
|
|
1980 |
Best Motion Picture |
Murder by Decree |
John Hopkins |
AVCO-Embassy |
|
|
1980 |
Best Motion Picture |
Time After Time |
Nicholas Meyer |
Orion |
|
|
1979
|
Best Motion Picture
|
Magic
|
William Goldman
|
Twentieth Century Fox
|
|
|
1979 |
Best Motion Picture |
Death on the Nile |
Anthony Shaffer |
Paramount |
|
|
1979 |
Best Motion Picture |
Foul Play |
Collin Higgins |
Paramount |
|
|
1979 |
Best Motion Picture |
Somebody Killed Her Husband |
Reginald Rose |
Columbia |
|
|
1979 |
Best Motion Picture |
The Big Fix |
Roger L. Simon |
Universal |
|
|
1978
|
Best Motion Picture
|
The Late Show
|
Robert Benton
|
Warner Bros.
|
|
|
1978 |
Best Motion Picture |
Black Sunday |
Ernest Lehman, Ivan Moffat, Kenneth Ross |
Paramount |
|
|
1978 |
Best Motion Picture |
Telefon |
Peter Hyams, Stirling Silliphant |
MGM |
|
|
1977
|
Best Motion Picture
|
Family Plot
|
Ernest Lehman
|
Universal
|
|
|
1977 |
Best Motion Picture |
Carrie |
Lawrence D. Cohen |
United Artists |
|
|
1977 |
Best Motion Picture |
Marathon Man |
William Goldman |
Paramount |
|
|
1977 |
Best Motion Picture |
The Omen |
David Seltzer |
Twentieth Century Fox |
|
|
1976
|
Best Motion Picture
|
Three Days of the Condor
|
David Rayfiel, Lorenzo Semple Jr.
|
Paramount
|
|
|
1976 |
Best Motion Picture |
Black Christmas |
Roy Moore |
Warner Bros. |
|
|
1976 |
Best Motion Picture |
Farewell, My Lovely |
David Zelag Goodman |
AVCO-Embassy |
|
|
1976 |
Best Motion Picture |
The Drowning Pool |
Walter Hill, Lorenzo Semple Jr., Tracy Keenan Wynn |
Warner Bros. |
|
|
1975
|
Best Motion Picture
|
Chinatown
|
Robert Towne
|
Paramount
|
|
|
1975 |
Best Motion Picture |
Murder on the Orient Express |
Paul Dehn |
Paramount |
|
|
1975 |
Best Motion Picture |
The Conversation |
Francis Ford Coppola |
Paramount |
|
|
1975 |
Best Motion Picture |
The Parallax View |
David Giler, Lorenzo Semple Jr. |
Paramount |
|
|
1974
|
Best Motion Picture
|
The Last of Sheila
|
Anthony Perkins, Stephen Sondheim
|
Warner Bros.
|
|
|
1974 |
Best Motion Picture |
Don't Look Now |
Chris Bryant, Alan Scott |
Paramount |
|
|
1974 |
Best Motion Picture |
Serpico |
Waldo Salt, Norman Wexler |
Paramount |
|
|
1974 |
Best Motion Picture |
The Sting |
David S. Ward |
Universal |
|
|
1973
|
Best Motion Picture
|
Sleuth
|
Anthony Shaffer
|
Twentieth Century Fox
|
|
|
1973 |
Best Motion Picture |
Frenzy |
Anthony Shaffer |
Universal |
|
|
1973 |
Best Motion Picture |
The Carey Treatment |
James P. Bonner |
Belasco Productions |
|
|
1973 |
Best Motion Picture |
The Hot Rock |
William Goldman |
Twentieth Century Fox |
|
|
1973 |
Best Motion Picture |
Travels with My Aunt |
Jay Presson Allen, Hugh Wheeler |
MGM |
|
|
1972
|
Best Motion Picture
|
The French Connection
|
Ernest Tidyman
|
Twentieth Century Fox
|
|
|
1972 |
Best Motion Picture |
Dirty Harry |
Harry Julian Fink, Rita N. Fink, Dean Riesner |
Warner Bros. |
|
|
1972 |
Best Motion Picture |
Klute |
Andy Lewis, Dave Lewis |
Warner Bros. |
|
|
1972 |
Best Motion Picture |
See No Evil |
Brian Clemens |
Columbia |
|
|
1972 |
Best Motion Picture |
Willard |
Gilbert A. Ralston |
Cinerama |
|
|
1971
|
Best Motion Picture
|
Investigation of a Citizen Above Suspicion
|
Ellio Petri, Ugo Pirro
|
Columbia
|
|
|
1971 |
Best Motion Picture |
Borsalino |
Jean-Claude Cairierre, Jean Cau, Jacques Deray, Claude Sautat |
Paramount |
|
|
1971 |
Best Motion Picture |
Rider on the Rain |
Sebastien Japrisot |
Circo-Embassy |
|
|
1971 |
Best Motion Picture |
The Bird with the Crystal Plumage |
Dario Argento |
UMC Pictures |
|
|
1971 |
Best Motion Picture |
The Private Life of Sherlock Holmes |
I.A.L. Diamond |
United Artists |
|
|
1970
|
Best Motion Picture
|
Z
|
Costa Gavras, Jorge Semprun
|
Cinema V
|
|
|
1970 |
Best Motion Picture |
Hard Contract |
S. Lee Pogostin |
Twentieth Century Fox |
|
|
1970 |
Best Motion Picture |
Pendulum |
Stanley Niss |
Columbia |
|
|
1970 |
Best Motion Picture |
Stiletto |
A.J. Russell |
AVCO-Embassy |
|
|
1969
|
Best Motion Picture
|
Bullitt
|
Robert L. Fish, Harry Kleiner, Alan R. Trustman
|
Warner Bros.
|
Comment: author, screenwriter, screenwriter
|
|
1969 |
Best Motion Picture |
Rosemary's Baby |
Roman Polanski |
Paramount |
|
|
1969 |
Best Motion Picture |
The Boston Strangler |
Edward Anhalt |
Twentieth Century Fox |
|
|
1969 |
Best Motion Picture |
The Bride Wore Black |
Jean-Louis Richard, Francois Truffaut |
United Artists |
|
|
1968
|
Best Motion Picture
|
In The Heat of the Night
|
Stirling Silliphant
|
United Artists
|
|
|
1968 |
Best Motion Picture |
Bonnie and Clyde |
David Newman |
Warner Bros. |
|
|
1968 |
Best Motion Picture |
In Cold Blood |
Richard Brooks |
Columbia |
|
|
1967
|
Best Motion Picture
|
Harper
|
William Goldman
|
Warner Bros.
|
|
|
1967 |
Best Motion Picture |
Sleeping Car Murder |
Costa Gavras |
Seven Arts |
|
|
1967 |
Best Motion Picture |
The Quiller Memorandum |
Harold Pinter |
Twentieth Century Fox |
|
|
1966
|
Best Motion Picture
|
The Spy Who Came in from the Cold
|
Paul Dehn, Guy Trosper
|
Paramount
|
|
|
1966 |
Best Motion Picture |
Bunny Lake is Missing |
John Mortimer, Penelope Mortimer |
Columbia |
|
|
1966 |
Best Motion Picture |
That Darn Cat |
The Gordons, Bill Walsh |
Buena Vista Pictures |
|
|
1965
|
Best Motion Picture
|
Hush, Hush, Sweet Charlotte
|
Henry Farrell, Lukas Heller
|
Twentieth Century Fox
|
|
|
1965 |
Best Motion Picture |
Fate is the Hunter |
Harold Medford |
Twentieth Century Fox |
|
|
1965 |
Best Motion Picture |
It's a Mad, Mad, Mad, Mad World |
William Rose, Tania Rose |
United Artists |
|
|
1964
|
Best Motion Picture
|
Charade
|
Peter Stone
|
Universal
|
|
|
1964 |
Best Motion Picture |
The Birds |
Evan Hunter |
Universal |
|
|
1964 |
Best Motion Picture |
The List of Adrian Messenger |
Anthony Veiller |
Universal |
|
|
1962
|
Best Motion Picture
|
The Innocents
|
William Archibald, Truman Capote
|
Twentieth Century Fox
|
|
|
1961
|
Best Motion Picture
|
Psycho
|
Robert Bloch, Joseph Stefano
|
Paramount
|
Comment: a Scroll to Bloch as the book writer, Stefano is the screenwriter
|
|
1960
|
Best Motion Picture
|
North by Northwest
|
Ernest Lehman
|
MGM
|
|
|
1959
|
Best Motion Picture
|
The Defiant Ones
|
Nathan E. Douglas, Harold Jacob Smith
|
United Artists
|
|
|
1958
|
Best Motion Picture
|
Twelve Angry Men
|
Reginald Rose
|
Orion/Nova
|
|
|
1958 |
Best Motion Picture |
Witness for the Prosecution |
Harry Kurnitz, Billy Wilder |
United Artists |
|
|
1956
|
Best Motion Picture
|
The Desperate Hours
|
Joseph Hayes
|
Paramount
|
|
